Grantaire (
pylades_drunk) wrote2019-06-11 06:52 pm
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backdated to June 5th
It's almost an obscenely beautiful day, Grantaire thinks, but then it wasn't a particularly miserable June when they'd put up the barricades, either. A little warm, and the middle of a cholera epidemic, but the weather hadn't been ugly.
This, though, is something else. Lilac scents the air; the weather might be described as perfect. Fruit ripens early on the branches of trees he wasn't even aware had ever borne fruit.
In the past, he'd celebrated the anniversary of their deaths with friends who had been there, drinking and vacillating between a hedonistic revelation of the shortness of life and a somber acknowledgement; in the more recent past, since he'd stopped drinking and some of them had disappeared, it'd been a smaller, sort of private reflection.
Today, he wanders in the park with a friend who knows what he's thinking of. They talk about other things, and they talk about their friends, and they let the specter of mortality wander into their conversation as it wants to, for there's no stopping it.
"Do you ever think about what happens if we disappear?" Eponine asks. Grantaire doesn't keep such close tabs on her that she feels smothered by it, but she's grown to enjoy that he texts to check in from time to time. When she was first here, she thought he might be using her as a stand-in for her brother. Now, it's just good to have someone who knows Paris, who has anything in common, on days like today.
"I try not to," Grantaire rejoins, picking a plum off a low branch. "I've only just started thinking in future tense. At any rate, that just calls up questions of the afterlife, and most of those possibilities are ridiculous or awful. Probably, nothing. We just --- stop. It'd be worse for the people here."
They ponder that for a moment. "Let's not do it, then," she says a little over-brightly, and holds up a hand. "Plum?"
"Certainly," he says, and throws her one.
Smirking, she steps back to catch it, right into the middle of the path.
This, though, is something else. Lilac scents the air; the weather might be described as perfect. Fruit ripens early on the branches of trees he wasn't even aware had ever borne fruit.
In the past, he'd celebrated the anniversary of their deaths with friends who had been there, drinking and vacillating between a hedonistic revelation of the shortness of life and a somber acknowledgement; in the more recent past, since he'd stopped drinking and some of them had disappeared, it'd been a smaller, sort of private reflection.
Today, he wanders in the park with a friend who knows what he's thinking of. They talk about other things, and they talk about their friends, and they let the specter of mortality wander into their conversation as it wants to, for there's no stopping it.
"Do you ever think about what happens if we disappear?" Eponine asks. Grantaire doesn't keep such close tabs on her that she feels smothered by it, but she's grown to enjoy that he texts to check in from time to time. When she was first here, she thought he might be using her as a stand-in for her brother. Now, it's just good to have someone who knows Paris, who has anything in common, on days like today.
"I try not to," Grantaire rejoins, picking a plum off a low branch. "I've only just started thinking in future tense. At any rate, that just calls up questions of the afterlife, and most of those possibilities are ridiculous or awful. Probably, nothing. We just --- stop. It'd be worse for the people here."
They ponder that for a moment. "Let's not do it, then," she says a little over-brightly, and holds up a hand. "Plum?"
"Certainly," he says, and throws her one.
Smirking, she steps back to catch it, right into the middle of the path.
Re: [just Eponine please]
Eponine's taken it upon herself to keep her eyes open when Regan is teaching signs, and to ask around a bit about how to sign. There's even a show a bunch of the little ones watch in the common room on the weekend that has a bit of sign at the end. PUMA Squad, though she'd deny actively watching it to anyone who asked. It's not only interesting -- and she hates not knowing anything -- and opens up a way to speak to her, but it could be useful, speaking without words, the same way argot had been back at home (or in that case, speaking without meaning anything to other people).
She glances at Grantaire, who waves her off toward Regan with a smile, and waves back.
Carefully, and as slow as any non-native speaker, she signs, "How are you?"
no subject
When the girl greets her, Regan's smile brightens. "I'm good. How are you?"
no subject
She can't think of the word for strange or tough, so she pulls out her phone and turns toward Regan with it, then taps out It's a strange day... Does she want to just share this? What's the harm in it? If Regan's scared off by people being dead at home, there's a lot more to scare her about Eponine.
I know that I end up dying on this date at home. But it makes me glad to be here, too. My friend Grantaire -- she gestures to him -- was there too.
"So," she signs with a little smirk, "I think 'okay'."
no subject
"I guess 'okay' covers it," she agrees. "That's crazy, though. How are you so calm?"
no subject
"Sorry," she says about her staring, "I only know a little sign language." She emphasizes little, making a face. She thinks for a minute. There's no nice way to put this.
"Home was bad," she signs, trying to figure out how to put it into words she knows. Her grammar's shoddy, but she thinks she's getting it across. "I knew I could die, all the time. But I ...saved a friend." She hand spells saved. "It's good that it meant something."
"And," she adds, "it's been more than a year knowing."
no subject
"And now you're here," she points out. And definitely not dead, she wants to add, but doesn't because it seems... rude.